Ian Curtis during Joy Division rehearsal in Manchester in August 1979
|16 x 20"||£1,600.00|
A screen is made of a piece of porous, finely woven fabric (originally silk, but typically made of polyester since the 1940s) stretched over a frame of aluminum or wood. Areas of the screen are blocked off with a non-permeable material to form a stencil, which is a negative of the image to be printed; that is, the open spaces are where the ink will appear.
The screen is placed atop a substrate such as papyrus or fabric. Ink is placed on top of the screen, and a fill bar (also known as a flood bar) is used to fill the mesh openings with ink. The operator begins with the fill bar at the rear of the screen and behind a reservoir of ink. The operator lifts the screen to prevent contact with the substrate and then using a slight amount of downward force pulls the fill bar to the front of the screen. This effectively fills the mesh openings with ink and moves the ink reservoir to the front of the screen. The operator then uses a squeegee (rubber blade) to move the mesh down to the substrate and pushes the squeegee to the rear of the screen.
The ink that is in the mesh opening is transferred by capillary action to the substrate in a controlled and prescribed amount, i.e. the wet ink deposit is equal to the thickness of the stencil. As the squeegee moves toward the rear of the screen the tension of the mesh pulls the mesh up away from the substrate leaving the ink upon the substrate surface.
Ilford Warmtone Fibre Based paper is specifically designed for the creative printer wanting the ultimate in quality, with warm image colour and a high response to toning techniques. It is a premium quality, variable contrast, black and white photographic paper, coated onto a 255g/m2 fibre base.
This product will, quite simply, deliver a final quality print unlike anything else you can use in the darkroom, which is why it is so extensively used around the world for exhibition printing. It consistently produces the superior quality expected from an ILFORD photographic paper, and it’s versatility and response to darkroom techniques never fails to please.
Our prints are available in a variety of sizes. Please see below for specific measurements for the 'A series' of paper sizes.
A3 (11.7" x 16.5" inches) (29.7 cm x 42.0 cm)
A2 (16.5" x 23.4" inches) (42.0 cm x 59.4 cm)
A1 (23.4" x 33.1" inches) (59.4 cm x 84.1 cm)
A0 (33.1" x 46.8" inches) (84.1 cm x 118.9 cm)
Please note all our sizes refer to the paper size of the print produced not the image size
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We aim to dispatch all our prints as soon as possible. If we have the requested print in stock we will arrange to post within a few days. However, in some cases we may require a photographer to sign or send us a print, it will take a little longer to be delivered. In these instances we will notify the customer of when they are likely to receive a print.
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Prints delivered to countries outside of the UK do not have VAT charged to them.
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A great print deserves a great frame. At Rockarchive we would be delighted to advise you on how best to select the right frame for your print. Please just let us know when you place your order or contact us once you have received your print and we will discuss the various options with you.
If you live in London we can arrange to get your print framed for you. Once the print is framed you can either collect it from our London Rockarchive Studio, in Kentish Town or we can arrange for it to be delivered to your London address (at an extra charge).
If you live elsewhere in the UK, we can arrange to get smaller sized prints framed and shipped to you. However due to postage regulations acrylic (eg perspex) rather than glass needs to be used in the frame.
If you live outside of the UK, we are sorry we are unable to ship framed prints to you.
For all framing enquiries please contact us at email@example.com or call us on +44 (0) 20 7267 4716