Peter Cunningham recalls 'My first professional job as a photographer was to make Bruce Springsteen's first pictures at Columbia Records in February of 1973. It was just before Greetings from Asbury Park was released- I got paid $25. My job was to cover an interview by Bob Sarlin in the 12th floor conference room in "Black Rock" for an in house magazine, which was formed to introduce new artists to the record company staff. Bruce was just a kid from New Jersey, he wandered in with his girlfriend Diane; later John Hammond stopped by as he often did in those days. Bruce was known to some as John's 'latest folly', (Dylan had been an earlier one). Blinded by the light, some thought the kid was faking it when those stumbling tumbling rambling array of lyrics rolled off his tongue, there was even debate about whether he really was a good guitar player. But when he sat down to talk with us, there was no pretence or falseness in the room; he was noticeably good at just being himself. A month later I was lucky to photograph both Arthur Rubinstein and Vladimir Horowitz for Columbia as well as Goddard Leiberson the legendary President of the company; all three in their different ways had a quality that I first spotted in that kid from New Jersey, an unquestionable personal presence, it's just something some people are born with. In Bruce's case, as I learned over the years, it was combined with the highest levels of loyalty as well as personal and intellectual integrity on top of a damn good sense of humour. And energy. As our careers started out together I've always compared my path with his, and despite the fact that for each of my audience members he has a couple of million, I've always felt we were walking parallel paths.'
| Size | Price ex. vat | Price inc. vat | |
|---|---|---|---|
| 20" x 16" | £1,500.00 | £1,800.00 |
A traditional dark room print is hand printed by a master printer in a darkroom from the original negative. In a world of digital printing, hand printing has become both different and special. Putting a Black and White or colour negative into an enlarger and “making” a print by hand gives a crafted and individual feel.
Our printers will apply their skill and interpretation to make the best prints from your negatives - prints are individually enlarged, dodged and shaded for the best results.
Ilford Warmtone Fibre Based paper is specifically designed for the creative printer wanting the ultimate in quality, with warm image colour and a high response to toning techniques. It is a premium quality, variable contrast, black and white photographic paper, coated onto a 255g/m2 fibre base.
This product will, quite simply, deliver a final quality print unlike anything else you can use in the darkroom, which is why it is so extensively used around the world for exhibition printing. It consistently produces the superior quality expected from an ILFORD photographic paper, and it’s versatility and response to darkroom techniques never fails to please.
Our prints are available in a variety of sizes. Please see below for specific measurements for the 'A series' of paper sizes.
A3 (11.7" x 16.5" inches) (29.7 cm x 42.0 cm)
A2 (16.5" x 23.4" inches) (42.0 cm x 59.4 cm)
A1 (23.4" x 33.1" inches) (59.4 cm x 84.1 cm)
A0 (33.1" x 46.8" inches) (84.1 cm x 118.9 cm)
Please note all our sizes refer to the paper size of the print produced not the image size
Delivery charges are added during the checkout process and calculated on a 'by country' basis.
We aim to dispatch all our prints as soon as possible. If we have the requested print in stock we will arrange to post within a few days. However, in some cases we may require a photographer to sign or send us a print, it will take a little longer to be delivered. In these instances we will notify the customer of when they are likely to receive a print.
It you have any queries regarding delivery charges or need a print delivered by a specific date, please let us know and we will do our best to sort this out.
VAT (Value Added Tax) is a tax added to prints and other goods that are delivered to the UK & the rest of the European Union (EU). On our website prices that include the cost of VAT read 'Price inc VAT'
Prints delivered to countries outside of the EU eg USA, Canada, Japan, Austrailia etc do not have VAT charged to them. So in these cases the price charged will be the one that reads 'Price ex VAT'.
The current UK rate of VAT is 20%. Import charges may apply to orders delivered outside of the EU. Books are exempt from being charged VAT.
If you have any queries regading VAT please email info@rockarchive.com
A great print deserves a great frame. At Rockarchive we would be delighted to advise you on how best to select the right frame for your print. Please just let us know when you place your order or contact us once you have received your print and we will discuss the various options with you.
If you live in London we can arrange to get your print framed for you. Once the print is framed you can either collect it from our London Rockarchive Studio, in Kentish Town or we can arrange for it to be delivered to your London address (at an extra charge).
If you live elsewhere in the UK, we can arrange to get smaller sized prints framed and shipped to you. However due to postage regulations acrylic (eg perspex) rather than glass needs to be used in the frame.
If you live outside of the UK, we are sorry we are unable to ship framed prints to you.
For all framing enquiries please contact us at info@rockarchive.com or call us on +44 (0) 20 7267 4716
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