Annie Lennox captured by Jill Furmanovsky during a photoshoot for Sounds Magazine in March 1983.
Jill recalls "Our styling for a cover shoot for Sounds Magazine was a sheet off the bed. The lighting came from a bedside lamp and Annie did her own make-up. It was just the two of us. Those kind of shoots were common in the days of the music press, and I am forever grateful for having learned to shoot quickly and imaginatively in every situation."
Annie Lennox began her life as a man two years before at a London discotheque called Heaven. She was onstage with Eurythmics, singing away, her ladylike frock and long black hair caught in the bursting glare of a battery of strobe lights, when a curious spectator, thinking she looked familiar, reached up and ripped off what turned out to be a wig. Suddenly, in strobe-lit slow motion, a strange new head was revealed. This one — which Annie hadn't counted on unveiling quite so soon — was anything but ladylike. The startling, carrot-colored hair was cut cell-block short on the sides and greased straight back on top, and the crowd's collective jaw hit the floor.
"No one knew who Eurythmics were at the time," says Dave Stewart, Annie's partner onstage, in the studio and, for four years, in life and love. "So the whole audience must have thought, 'What's goin' on?' And ever since then, people have been sayin', 'Is Annie really a man?' "
This image is available as a 20x16" silver gelatin print in an edition of 30. It is also available as a giclee print at sizes A1 or A0 from an edition of just 10. All prints are numbered, signed by Jill Furmanovsky and come with a certificate of authenticity.
| Size | Price | |
|---|---|---|
| 20x16" Silver Gelatin Print | £1,200.00 | |
| A1 (23.4x33.1") Giclee Print | £1,200.00 | |
| A0 (33.1x46.8") Giclee Print | £2,000.00 |
A traditional dark room print is hand printed by a master printer in a darkroom from the original negative. In a world of digital printing, hand printing has become both different and special. Putting a Black and White or colour negative into an enlarger and “making” a print by hand gives a crafted and individual feel.
Our printers will apply their skill and interpretation to make the best prints from your negatives - prints are individually enlarged, dodged and shaded for the best results.
Ilford Warmtone Fibre Based paper is specifically designed for the creative printer wanting the ultimate in quality, with warm image colour and a high response to toning techniques. It is a premium quality, variable contrast, black and white photographic paper, coated onto a 255g/m2 fibre base.
This product will, quite simply, deliver a final quality print unlike anything else you can use in the darkroom, which is why it is so extensively used around the world for exhibition printing. It consistently produces the superior quality expected from an ILFORD photographic paper, and it’s versatility and response to darkroom techniques never fails to please.
Our prints are available in a variety of sizes. Please see below for specific measurements for the 'A series' of paper sizes.
A3 (11.7" x 16.5" inches) (29.7 cm x 42.0 cm)
A2 (16.5" x 23.4" inches) (42.0 cm x 59.4 cm)
A1 (23.4" x 33.1" inches) (59.4 cm x 84.1 cm)
A0 (33.1" x 46.8" inches) (84.1 cm x 118.9 cm)
Please note all our sizes refer to the paper size of the print produced not the image size unless otherwise stated.
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