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This was taken on the first Oasis American tour. Twin benches on the boardwalk were ideal for this back-to-back portrait of the brothers
Cover artwork for Blinker The Star's third album, August Everywhere, shot by Storm Thorgerson
Captain Beefheart and his Magic Band play the Rainbow Theatre, London, 1973.
'Identical shapes, one mirror, one picture, one window. How would you know which was which? 'Cover art for Catherine Wheel's album Wishville
Album cover for Deepest Blue's 1994 release 'Is it a Sin' designed by Storm Thorgerson
Newcastle City Hall, 1973, Ian Dickson eludes security to take this photograph of David Bowie performing as the legendary Ziggy Stardust
David Bowie performing at Newcastle City Hall, UK on the Ziggy Stardust Tour in June 1973
This concert was shortly after 'Caravanserai', the 4th album by Santana released in Oct 1972. It was a turning point in Santana's career.
Cover art for Catherine Wheel's 2000 single Gasoline created using 300 8x6" colour prints temporarily attached to silver birch trees.
The cover art for The Cranberries single 'Promises' designed by Storm Thorgerson in 1999.
Artwork for Ian Dury's 'Reasons to be Cheerful' designed in 2001 by Storm Thorgerson
Album artwork for Mars Volta's 'De-loused in the Comatorium' from 2003 designed by Storm Thorgerson and set in West London
Album cover for Mars Volta's 'Frances the Mute' created in Bedfordshire, UK in 2004 by Storm Thorgerson
Cover artwork for Muse's 'Butterflies and Hurricanes' released in 2004 and designed by Storm Thorgerson
Alternative version of cover artwork for Muse's 2006 album 'Black Holes & Revelations' designed by Storm Thorgerson
Intended album cover for Nigel Kennedy's 'Kreisler' released in 1998 and designed by Storm Thorgerson
'What more likely family to splinter than a glass family'. Commissioned for Offspring's 2003 album Splinter
'I envisaged the splinter as a sharp moon about to pierce the heart of a lover' Commissioned for Offspring's 2003 album Splinter
Cover artwork for O.A.R's 2005 album 'Stories of a Stranger' designed by Storm Thorgerson
Rehearsals at the Music Bank, a regular haunt, would see Liam take pleasure in giving his famous two finger salute to trains speeding past
'I thought of improvisation as a large ball of string (a melody as yet unravelled)'. Cover art for Phish's 1997 album Slip Stitch and Pass
David Gilmour taking a quiet moment backstage, during the Dark Side of the Moon tour 1974.
Johnny Ramone’s super-fast ‘buzzsaw’ guitar had a huge impact on the punk scene and he could make a two-minute song sound like an epic.
Jimi Hendrix restrings his guitar before a performance at the Marquee Club, London in March 1967
Jimi Hendrix after performing on Lulu's TV show in London in January 1969
Keith Richards and Mick Jagger performing onstage with The Rollihg Stones at Foro Sol, Mexico City in February 1998
Mick Jagger & Keith Richards from The Rolling Stones performing live at the legendary Madison Square Gardens, New York in July 1972
Roger Waters, Roy Harper and Roy's son listen to a playback at Abbey Road Studios. Roy was guest vocalist on Have a Cigar.
David Gilmour in Studio 3, at Abbey Road Studios. The band were recording Have a Cigar that day for their new album Wish You Were Here .
David Bowie in front of a Diego Rivera mural whilst visiting the Palacio de Bellas Artes in Mexico City in October 1997
Jimi Hendrix reading 'Blonde on Blonde' by Bob Dylan before performing at the Astoria, London in 1967
