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Dizzy Gillespie

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  • Dizzy Gillespie by Francine Winham
    They called him Dizzy, but the man had plenty of sense.”By the time I photographed Dizzy Gillespie at Newport, he was already a legend. His beret, horn-rimmed glasses, scat singing, bent horn, and pouched cheeks (which I remember seeing close up at Ronnie Scotts and finding extremely disturbing) made him one of the most popular and recognisable musicians on the jazz scene.
    They called him Dizzy, but the man had plenty of sense.”By the time I photographed Dizzy Gillespie at Newport, he was already a legend. His beret, horn-rimmed glasses, scat singing, bent horn, and... read more pouched cheeks (which I remember seeing close up at Ronnie Scotts and finding extremely disturbing) made him one of the most popular and recognisable musicians on the jazz scene.
    Location: Newport
    Date taken: 1966
    Genre(s): Jazz, Bebop, Afro Cuban Jazz
  • Dizzy Gillespie by Francine Winham
    They called him Dizzy, but the man had plenty of sense.”By the time I photographed Dizzy Gillespie at Newport, he was already a legend. His beret, horn-rimmed glasses, scat singing, bent horn, and pouched cheeks (which I remember seeing close up at Ronnie Scotts and finding extremely disturbing) made him one of the most popular and recognisable musicians on the jazz scene.
    They called him Dizzy, but the man had plenty of sense.”By the time I photographed Dizzy Gillespie at Newport, he was already a legend. His beret, horn-rimmed glasses, scat singing, bent horn, and... read more pouched cheeks (which I remember seeing close up at Ronnie Scotts and finding extremely disturbing) made him one of the most popular and recognisable musicians on the jazz scene.
    Location: Newport
    Date taken: 1966
    Genre(s): Jazz, Bebop, Afro Cuban Jazz